since their first album in 2009, django django have covered some distance. indeed, their first album has been acclaimed by critics and sold more than 250 000 units worldwide. after their international tour and a fantastic 2nd album released last year, we are glad to be able to hear them again through a bunch of clever remixes, in which you’ll have the chance to hear tim burgess’ (the charlatans) brilliant contribution to this limited edition ep.

matt karmil is a british musician currently residing in sweden. ++++ is his third album, following 2014 s pnn debut - - - - and idle033, released on bristol label idle hands earlier this year. his output also includes a variety of singles for labels such as new yorks beats in space recordings and stockholm s studio barnhus. on this new album, karmil can be heard exploring the concepts of impossible objects, reflection, symmetry, infinity perspective, truncated and stellated polyhedra, hyperbolic geometry, tessellations and lost love. while making the music that constitutes ++++ he interacted with mathematicians george pólya, roger penrose and harold coxeter as well as the crystallographer friedrich haag, and also conducted his own research into tessellation. the result is ++++, karmil s most clever, strange, emotional and fun work yet, a testament to his breadth and depth as a musician. did we forget to mention that he s an awesome party dj?

lange war es ruhig um die band, die mit vereinzelten auftritten in köln schon eine gewisse mystik um sich aufbaute, bevor es überhaupt richtig los ging. woman machen popmusik, die sich sowohl an soul und r&b, als auch an 80er synthesizern orientiert, sowie einflüsse davon integriert. radiohead und grizzly bear sind die referenzen, die auch den anspruch der band beschreiben. es geht um eingängigkeit, ohne dabei dem radio-pattern zu sehr zu folgen. dabei clever und zugängig bleiben.
die vinyl ep erscheint inklusive downloadcode.

beautiful sonic sorcery from cristi cons and dewalta. elegant, warm, subtle but energetic music, creating a momentum of infinity. our favorit romanian artist known for his productions, his quality amphia label, a:rpia:r as well as his sit project with vlad caia teams up with dewalta from berlin who continues to refine his output on meander. these two kindred spirits met at dewaltas studio to create a spaced-out musical treatment, captivating body and mind. lisa milloy, joined the creative process, adding beautifully flowing words, recorded in one take as stream of conciousness. breath in and dance to their melodies with a clever groove that just flows onwards. with the record basorelief, released in 2014 meander already introduced the greatly talented cristi cons to its circle. now these two artists, bringing bucharest and berlin further together, deliver a hightly anticipated follow-up with this record filled with rhythmic material for the space between. 180gram vinyl, available in two editions: either as full cover-artwork or as limited edition with hand-made screen-printed cover-art.

through shards of frozen soundscapes, boss006 defrosts the stockholm sound with the bm debut of kalawila, whose ample use of sparse building techniques creates a rigid and tight groove structure. this subtle attitude fueled two tracker is what s up in 2016, especially in the bossmusik hometown of stockholm: the extended aside grasps intelligence while swiftly pushing forward. as for the flipside, this intergalactic adventure shares tight resemblance to the mystery unknown atmosphere of bossmusik s sonic universe, and sums up this little bomb in a clever and rewarding way... watch out!

lady blacktronika shows two totally different sides to her character with her return to bass culture via a potent ep full of deliciously dark, bass-heavy productions placed side by side with more soulful explorations of the house sound. following the ‘all in vain’ ep, which landed earlier this year, lady blacktronika comes correct once again with a collection of four of the finest quality cuts. our introduction to the ep is a thorough dip in the deep end of tech house, with the marauding ‘it rains’. full of darkness, the venomous track stomps along with a powerful, darkside bassline and razor-sharp percussion. high-pitched keys add to the malevolent flavour of this raw cut. after that, we get a more measured, yet mysterious and unsettling slice of minimal funk. ‘no good’ is a hypnotic trip inside lady blacktronika’s murky world with snarling synth lines, clever percussion, eerie fx and a naughty little b-line. on the flip we have retro-inspired ‘call my name’, with a very old school feel as the 808 gets a proper workout in tandem with a familiar female spoken-word vocal layered over the top. this is bound to send the dance floor into uproar with its killer vocal sample. finally ‘set out your luv’ gives the ep a heady ending, light airy pads are placed alongside a grooving bassline, soulful vocals, diamond-cut beats and squelchy effects to create a lush, dreamy soundscape which will get those hips moving….

the mighty voyage return with their 5th release on this ever popular new label. urulu real name taylor freels unleashes his greetings from namek ep this berlin based california boy has recorded for some of world s most respected house labels such as dirt crew, let s play house, needwant shabby doll records, morris audio and his own amadeus print. with an innate talent for sunny, contemplative chords and clever drum programming this ep shows off his blissed dubbed-out club sounds he s become enamoured with while living in berlin, as well as the synth-driven disco and boogie sounds which were a constant in his california upbringing

yse saint laur ant has spent far too long writing and releasing music in one guise or another to endure writing clever promo/impress releases. instead, vinyl only wants to let the music speak for itself keep it simple if you dont like it today then thats cool, we get we cant please all the people, all of the time. however if don t buy from juno today please dont whine to us when you ll be forced to spend the better part of double/treble the price for this very same release on discogs in a few years time

we are happy to announce mother040, swipe the card ep by our dear friends mat.joe. the hot duo from berlin delivers again an incredible 2 tracker hit ep.swipe the card (original mix)swipe the card is just a party stomper. straight up bouncy, rumbling bassline, haunting, funky pads and a great use of vocal cuts in the breakdown. come on ya, just clap your hands and beat it!make a living (original mix)make a living features mat.joe s signature sounds, tight drums, clever sampling and heavy bassline! it s all about the vocal hook and the magical house ...

opener equilibrium two from buitendijk is a perfectly streamlined and serene bit of spaced out, hypnotic techno. gentle synth pulses roam about the airwaves, left and right, up and down, as ethereal pads glow behind. it s heady dancing music, whilst liem s contact is also perfectly aimed at both head and heel. it is full of lick synth pulses that bubble and boil as watery droplets and ticking hits also colour the most subliminal groove. closer this is all you need is a more textured, frazzled cut with frosty lines and rickety pads working you into a trance. rich drums and clever bass filtration add dynamics and tension and so like everything else here the end result is hugely captivating.

nice price deal !!! aaacid003 is the second ep from amir alexander s richie ratchet moniker. the major difference in the work of richie and his twin brother jack ingoff is the clever use of vocals. singlehandedly writing new chapter in the acid house manual with off kilter polyrhythms, odd time signatures, and unconventional tongue and cheek topics, amir through his aaacid label continues to go from strength to strength as he seeks to refine and progress the artform of acid jack. field tested, all 4 of these tracks have been putting in work world wide and moving dancefloors to a sweaty frenzy in the process. just an prolific artist expressing himself, having fun, and adding something unique to the culture. modern acid for forward thinking underground heads.

this is ponty mythons first appearance on the swedish brandy productions label. expect a wicked four tracker of dirty lo-fi sounding deep house grooves packed with samples and sturdy analogue bass lines. vilnius based dj and producer aleksandr pletnev aka ponty mython is known for his many outstanding releases on labels such as tusk wax, no more hits, dirt crew, quintessentials and many more. besides spittin out goodies on a regular basis ponty mython runs his own imprint beats delivery releasing the most interesting artists and producers from russia.
the title track * i wish* starts of the ep with its deep and fumy organ chords combined with filtered hats, clever vocal samples and harsh bass lines. next up on the a side you will find the pumping head nodder * holly fm*. swinging hats, guitar stabs, smooth pads with simple but very effective hook on top. the b side starts off with the slightly minimal track “keep on using me” (brother). this one with grim beats, organ pads, off beats punching in and out as the track steady builds with a rock solid perfectly tweaked bass. the last minutes on the b side is reserved for the dreamy yet hard hitting and raw gem * new toys*. pure basement love.

limited 2015 repress ... max 1 per customer
after a 2 year break paranoid london return to show the johnny come latelys how to do acid house. proper late night, bass driven machine music featuring the mysterious mulato pintado on vocals. we played this to our mate who said: >it aint clever, but it fuckin works!< the music is all analogue using two machines: 808 & 303! nice & simple. once again we press on 180g vinyl, no downloads, no cds, no promos! no bull shit! just some proper acid tracks done the right way!

stepping up for the second ep on brame & hamos own imprint splendor & squalour is top boy hamo with his debut solo ep -the cotton club. with his partner brame he has already released staggering eps on dirt crew recordings and dam swindles own heist recordings. a fierce rise in the deep house community for sure! we already had a small taste of hamo s solo productions on the clockwerk ep that was released beginning of this year as the first ep on splendor & squalour. now we are giving you a full 5 tracker with a remix from box aus holz/ torben boy kickflip mike. the ep kicks off with title track - cotton club - a jazzy deep house jam, keeping the hip hop vibe present. up next is -wonce- which is a little bit more on the melodic side. we would also like to welcome more of our sligo family to the label with this side up, the hip hop trio is featured as third on the a side with the straight hip hop track in control. on to the b side we have the brilliant kickflip mike adding a much clubbier vibe to -wonce- a real early mornings bomb. to close the ep hamo has given us black lodge, a dusty house groover with delightful hi-hats and very clever sampling going on as in all his works, solo or with his homey brame.

the rise of azimute continues, after a their killer debut on crosstown rebels, an appearance on john digweeds live in toronto and much received hype with their new vinyl only label, azimute music. we are the sound ep is a full on journey into the unique sound of azimute. the first track on the ep is taken from the title, it features the vocals of rocky washington who has worked with the likes of snoop dog & jay z. the track has infectious percussion from the start and rolls effortlessly through, azimute s signature sound takes control as rocky s vocals complete the journey, a definite late night anthem for sure. next up is laterra, this true hypnotic and percussive piece is built for the main room and is certain to cause damage. on the flip side of the vinyl we have -under control-, its a stripped out eerie yet beautiful piece of techno which builds and builds, certainly one for berghains main room. finally we have the track entitled -way back-, another late night techno roller, with clever guitar stabs and a clean sound scape layer that draws you in as the record play

the second edition of the rose records limited 10- series comes courtesy of junktion, whose releases on the likes of outplay and slow town didn t only sell out at breakneck speed but also established him as one of holland s biggest talents in discerning deephouse/disco circles. junktion does what he does best on this delightful little platter. the lolloping running for whatever on the a is as infectious as they come, with loads of clever samples arranged over classy rolling drums and a deep, rubbery bassline. flip over for pale blue dot, a slightly tougher, trippier uptempo workout with spaced out pads, big drums, crisp hats and massive synth stabs that should whip up a real frenzy in a packed club. killer pair of tunes from a producer that s very much on top of his game.

yoruba records is proud to present this four-track ep from label newcomer myles bigelow. having honed his craft as a graduate of the berklee college of music, myles is known for releases on his own imprint deep culture music and we’re excited to have him bring his blend of latin, jazz, and tropical rhythms to the yoruba family. the opening track, afro banger, as the title suggests is a dance floor ready afro-inspired ballad. the captivating combination of percussion, rolling bass and clever synth stabs in this track demand peak hour airtime. house rocka is yet another floor-ready tune. with its fat, punching bass and smooth conga –laden beat this track will keep a floor moving at any hour. the b-side of this release opens with spiritual awakening. seemingly led by steel drums and gentle guitar arpeggios, the introduction of a warm bass line takes this groove in a hypnotic direction. finally the title track of this release, turning pages opens up with a smooth string bass line perfect for setting the mood a little deeper. the sensual vocals and subtle yet underlying funk-inspired guitar melody make this groove suitable for dance floors, cars, and home stereos alike.

uabos, aka matteo pepe, is a young and rising start from the fashion capital of europe. this milan musician melts the mediterranean with 707 attitude, connecting his homeland with the iconic floor grooves of chicago. warbling acid warmth gives way to spiralling female samples as dusk sets in. the track is pure golden sunshine. tweaked bars are woven through clean drums to form an energy-filled track of explosive properties. polished rhythm patterns scaffold the ep. from this solid base flow clever melodies and dancefloor subtlety. 303s trickle against thick and rich chords for the textured tones of abc dream . uabos grabs his audience, holding them with hypnotic harmonies and an entrancing elegance. but with that is an intoxicating funk, one epitomized in the drill . toms and pads introduce. snares snap as a deep and dense build is constructed, layers bubbling arpeggios support cascading chords for a chitown streaked disco romp. the finale, squash , is living musical liquid. a syrup of synthesized squawk squirms under soaring notes and crisp beats for a jackin infusion.

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

dj support so far : ricardo villalobos, sonja moonear, raresh, martinez, sascha dive, thomas melchior, nima gorji, s.a.m., tini, einzelkind, davide squillace & kreon...
concealed sounds warmly welcomes alex celler. the super talented greek producer, based in london since years, need no introduction. after his recent stunning -kammsa ep- on jay haze s newly relaunched contexterrior tuning spork label, he is on better form then ever. for his concealed debut he delivers two strong hypnotic and dark tracks. swirling in clever rhythmical programming and melodic undertones, these tracks will take you into another sonic dimension. on the a side -polhammer- is the more uplifting one while the b side s -erinyes- offers a slightly more dark and atmospheric touch. and as always keep your eyes open for the hidden gem on this 12 inch ….

st. petersburg resident kito jempere is back on dirt crew with his first full release after his debut album on fata morgana and a great ep on freerange last year. following his great contribution to our deep love series we now welcome him with these two unique tracks. ranging from house to disco and jazz influences, kito found his very own style and switches easily between them. up tempo and energetic tracks with great melodies, driving bass lines and clever sample use.

debut vinyl release from williams 99¢ dreams. the a1 (the rent) gained notoriety in brooklyn for its clever vocal sampling and one-of-a-kind content, which serves as a commentary on the increasingly tenuous economics endured by a growing cross section the boroughs artistic community. as a tribute to his home city, includes two inspired detroit-style cuts on the flip.

we are very honoured to welcome the cologne-based producers hade + gutta to the local talk family. their debut release marks a further development of the local talk sound, balancing between house & bass. the ep kicks off with *nothing wrong*, a track built around a bouncy bass riff that lingers and weaves around a clever vocal splicing. *in me* continues where *nothing wrong* left off but adds more depth and ingenious stabs, it is a 100% bouncing track for sure. ending the ep is hades solo number *baphome*. a bass fuelled floor packer with nicely interwoven synths and a hypnotic house groove that remains present throughout the track. in conclusion - a garage-esqe belter with the right amount of wobbly bass to satisfy all your dj & dance floor needs.

after taking a short break house of disco records are back with a purpose. not content with the adding to the plethora of disco edit labels representing the genre they have opted to walk a more distinct path, determined to lean on originals or clever sampling as opposed to outright re-rubs. in this their twelfth release they recruit previous label-mate harry wolfman and compadre skinny love to provide three stunning dancefloor ready originals. the duo have certainly delivered on the brief and turned in three diverse and clever takes on what a modern disco track with a house soul can represent. on remix duties they have recruited a promising young producer kickflip mike, who has released on box aus holz as joschka seibt and paired him with experienced disco merchant the revenge who is responsible for some of the best remixes we know of, and he doesnt disappoint here with either remix.

pressed on 180 gram, vinyl only.
early support : rhadoo
on the mark of our tenth release, comes a very special body of work from the rising us talent, oshana. a limpid tapestry of crescendos and warm, gradual tones, this ep stands the test of time as it envelops and guides the hearts of its listeners. concluding this release, we welcome the support of a clever yet powerful remix by the illustrious italian duo, verrina & ventura

this is for those with hard heads, black lungs, and scarred hearts. it is for the dreamers who construct darts on loose-leaf and those revolting against corporate life and casual fridays. it is castles return of the gasface, released on mello music group, remixed by has-lo with a new track and revamped verses. the new record tilts at a different angle, but the beats still bludgeon without sacrificing soul. the raps are rugged yet introspective. the north carolina natives voice is grizzled and shot through with the fatigue that comes from late nights, cigarettes and coffee. has-los beats coax a deeper melancholy out of castles hymns.

the shag edits hits volume 4 welcoming david glass, timmy p and twos tones to the roots for bloom roster. david brings a big hitter with tape deck with its mc sampled vocal, timmy s is drenched in sunshine for all the day parties this is sure to go off at and two s tones takes things on a jazz twist, with clever sampling but always that underlying groove that the roots for bloom label is known for. fans of the previous releases wont be dissapointed.

bulletdodges next instalment comes from us producer sean ray, delivering a single called deep 454 with 3 superb remixes from mgun, space djz & mr o and gareth whitehead. seans original track is a deep affair, heralding sparkling pads and grooving percussion. the track is cemented by a dark yet infectious piano riff and soulful bassline to make it a dancefloor classic. first up on remix duties is ur’s very own newcomer mgun. mgun has been taking the scene by storm lately with his incredible productions and his take on sean’s deep 454 is no exception. for this remix he has provided us with a detroit infused gem of a track. he has used soulful pads that eminate detroit and an upfront kick to create nothing short of a masterpiece. for the next remix we have an exciting collaboration between techno stalwarts space djz and one half of the detroit grand pubha’s mr o. their joint venture has produced a deep techno monster. it has a solid bassline and hypnotic use of the pads that shouts out 5am madness. lastly to remix deep 454 is bulletdodge’s head honcho gareth whitehead who has created a more old school stripped back deep house vibe. his tight drum programming and clever usage of the original tracks pads and piano riff rounds this perfect package off very nicely. supported so far by audio injection, colin dale, craig richards, dj deep, gary beck, paul mac, pig & dan, samuel l. session, sasha carassi, skream, slam, tom hades and vince watson plus many more!!!

after an incredible year that saw him reinvigorate pacha with his clever solumun + 1 concept, hold down a second great residency at sankeys ibiza and tour down under as well as hold label showcases around europe, diynamic boss solomun is back with a fantastic new two track ep, samson.

flowing acidic lava from new abstract acid discovery etcher. polytom dusk is a mindtrip of wriggly 303 sequences and spectral synth work, demonstrating that even after 25 years, the familiar squelch can be pushed into new and exciting directions. a must have for any acid fan. limited to 300 copies.

blunted astronaut returns to its roots with an upcoming series of 7-inch drops out in the next few months. ghettosocks *everyday apocalypse* b/w *i ll be your dog* is the latest addition to its ever-expanding catalogue of vinyl releases. this translucent 7 inch, produced by dynamic duo the process (jonny cuba and ollie teeba (soundsci/the herbaliser), is bound to be another ba sure shot. rapid-fire flows, clever rhymes, cinematic production... it is all there to keep your head boppin for days. guest appearances by canadas timbuktu and muneshine add weight to this already heavy release.

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.

khandoits hypnotic 100 bpm stomp does not adhere to genre or fickle trends, it simply bangs. the track begins with a sturdy kick and piano glissandos which recall alice coltranes most transportative work. as the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track s primary drama. its a stunning intro to the new label grimy trax, a musical chameleon that can be dropped at the beginning, middle or end of the night. to complement the epic a-side, grimy returns to the endlessly talented midwest and emerges with lulu, an original track by deejay/edit ace bruce ivery. the track seamlessly combines the chicago acid sound with the clever vocal sampling of early 90s nyc house. the result is pure peak-time heat. towards the end of the track, ivery arranges brief melodic elements into a propulsive disco facsimile. this unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. it doesnt matter if its house, disco, or techno, just make it grimy!

repress in pink vinyl ... supported by: ricardo villalobos, dj hell, karotte, gabriel ananda, tocadisco, john acquaviva, oliver huntemann, umek, joel mull, pig & dan, italoboyz, dirt crew, disco boys, moguai, delon & dalcan and many many more. it doesnt happen every day, that a record is released, which can be found in the cases of the italo- and the dicso boys, of tocadisco and the dirt crew, of markus lange and pig & dan, but then again, butch does not release on a.f.u. limited every day. butchs follow-up to his smash-remix for silent breeds >sync in< on a.f.u. brought him on the radar of monika kruse, karotte and blackstrobe and has proven the foundation of this hype surrounding him through the quality of his >butch ep<. 3 tracks, >mushroom man<, >tickles< and >botanik< have found fans from all continents and genres, which is the result of clever and new arrangements, high sound quality and funny and innovative ideas. butch is coming! watch out

for its third chapter, half baked records presents an ep from the producers collective of birdsmakingmachine. the birds stay true to their sound, a clever balance between ethereal atmospheres and swinging minimal house production.

sixth avenue express have been gathering a lot of momentum recently with their mid tempo, emotionally charged productions striking a note with a larger and larger audience. while they have put out releases across a plethora of labels their home has always been at house of disco records and thats where sae is now releasing their next solo ep titled i see. full of the clever touches and the warmth youve come to expect from them this ep delivers on every front.

the production renaissance of rhythm plate continues apace with the third release on their pressed for time label which revisits one of the peak district duos earliest releases. originally issued on the crucial uk house imprint diy discs back in the halcyon days of the late nineties, the masters at wirksworth ep helped establish the rhythm plate sound. clever programming and a deep stomping vibe permeated all four tracks and this is still the case some fourteen years on. as the cunningly re-titled ep suggests, the two original tracks have been newly remastered and are accompanied by two brand spanking new mixes by matt rhythm and ant plate ... so theres now no reason to pay l106 on discogs for the original ep!

mobach drops his lush melodic debut album cold rain on syncom data records. four years after his metrobots twelve inch mobach delves deeper into his unique hybrid form of techno, house, electro, dub and downbeat experimental electronics. ten tracks full of infectious melodies, clever beats and weird soundscaping that creates this typical mobach audiosyncratic world, probably best reflected in the beautiful artwork, also from the hand of the artist.

here we present good vibrations, the debut ep on local talk from canadian producer orazio fantini. the best thing with this ep is that it is simply straight up house music that is both deep yet raw and funky all at the same time. basically, its very local talk ,) first track, to the ball, starts off with a bubbling bass line, followed with shuffling hi-hats and swinging beat that is glued together by glistering synth stabs, infectious to say the least. turn the record over for feel it, which showcases fantinis clever use of vocal samples blended together with the perfect swing and last not but not least, on hold is a stripped track but with all the necessary elements to make the feet move.

israel has proved a hotbed for electronic music of late, with talent such as guy gerber, shlomi aber, guy j, and more all making quite an impression on the global scene. an israeli producing for lithunian label might seem like an unlikely combination then, but omer grinker s esteemed debut for parallel is a release that as its tittle suggest under water .the young tel aviv native boasts all the hallmarks of his fellow countrymen then, with the tittle track a brillantly clever anthem that flirts openly with various genres while maintaining a shrewd deep house edge. fans of trippy, multi layered house music are sure to embrace this one.sonic intricacies hold the key to seen or not seen , another record that s been scrupulously produced with even more off-kilter motifs playing their part. pitched back andever so detailed, it chops and changes with the sort of deviousness typically associated with warp s back catalogue.the last of the three originals, under water, emphasises the producer s credentials with more lackadaisical piano inter-changes an underbelly of simmmmmmmmering percussion and portentous chimes all playing key roles.label owners monkey brothers then beef up the latter with a remix that s basking in steday groove and even more suggestive vibes.a thriling and seductive package that indicative of the protagonist s musical nous, makes sense is a record that serves up a fascinating journey throghout. omer grinker is a producer you shoud keep in your radar.

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

trx is an exclusive collection of tracks that spot light the unknown and uprising producers featuring on a brand new compilation titled traxx. they bring us old school techniques against some clever bass manipulation to give us their interpretations of the original new york and new jersey sounds.

4 fantastic trax done by one of the best deep house producer right now : montel. being an avid record collector and dance music enthusiast for nearly 20 years, montel has slowly but surely cultivated his craft. feeling all nostalgic after his 20 year love affair with house music, he felt it was time to find a creative outlet for his sounds. not concerned with topping charts, being in the playlists of top djs or winning social networking popularity contests, montel is a man of simplicity. his only objective is to give back the good vibrations, making music for djs and dancers. music for sweaty basements, house partys and day time raves. nothing big, nothing clever.. just vibes

another clever techno release with emphasis on quality and structure and not forgetting the input from detroit dub merchant luke hess. *terminator reserve* is dominated by a thick bass line, razor sharp percussion, devastating juno stabs and with tonnes of analogue warmth coming from its abyssal depths. the luke hess remix provides the deep qualities of the original however its much more repetitive in its nature making it truly hypnotic and one you cannot help but get completely lost in. on the b side *mediator* is rough and ready ... booming kicks, dynamic bass shifts accompanied by the right amount of snare and filter inputs make this one of the toughest on the release not forgetting that its split down the middle with a heavy 303 bleed. highly recommended! *stilled* runs off in the opposite direction to the other track it shares the b with as its laden with detroit influenced floating chords and percussion.

vinyl only! devastating and clever! crs ltd is the new series on vinyl. the first release is signed by conrad van orton and vsk. two different interpretations of the same title. you can define it as modern techno or dark techno, whatever you want to call it, the final result is unique, devastating and clever!

the third u-ton release enters the merry world of post-disco and proto-house, mirror ball fantasies, baby powder dreams and rays of sunshine. manhooker are guiddo (music) and mavin (vocals) who were brought to the attention of ostgut ton by nd_baumecker. wheels in motion and club anonymous both got the club remix treatment by rotciv (the rimshooters, mister mistery) who delivers clever and respectful dance floor adaptations without destroying their peppy pop appeal.

after 21 releases and covering most areas of house its time to introduce anaxander and present a new sound to the ever growing local talk catalogue. the a side antionette is a perfect electronic influenced body-locking flavored track, an organ alongside a bouncing bass and a rhythmic feel is sometimes all you need to get moving ! its the b-side that really take things to the next level. anaxander both puts his own clever stamp on these two tracks and delivers acid in the old, vintage sense that owes more to the raw and unpolished club tracks played by ron hardy at music box than to the old school house vibes you have expected from local talk. both cat feeding and i want you now are two tracks of a new era of local talk. innovating, futuristic and original produced electronic analogue funk for 2012

ts7, fresh from reworking singles for afrojack and tulisa, presents >grade a<, a colourful basssline number. in what will be his first vinyl outing since 2008, ts7 utilises his 4x4 roots, working a clever looping bass to perfection with some neat vocal sampling to give it bags of dancefloor swagger. complimented by a heavyweight remix package, >grade a< certainly packs a punch. remixes come from hyperdubs walton and mista mens mella dee. walton delivers an incredible grimy rework, culminating in a series of earshattering breakdowns and some fantastic synth work that draws comparisons with some of wileys early productions. mella dee, meanwhile, moves away from his 8-bar sound as heard in coyotes debut release >ctrl<, and looks to house for inspiration with >grade a< receiving a thorough rework in that vibe. full of the sounds more familiar with his mista men productions but packing more of a grimy punch, mellas remix is a surefire dancefloor favourite.

ende november erscheint mit >nayim from the halfway line< alexis taylors erste solo-veröffentlichung auf domino. die 12 inch des hot chip-sängers beinhaltet vier von ihm eigens produzierte tracks, die sich clever zwischen pop, house, jazz und funk bewegen und perfekt mit seiner einzigartigen stimme harmonieren.